Andi Pasti's Animal Art

To bridge the gap between the published first issue of Woolly Wonderful and creating an engaging story, I used the time to draw some sort of concept that I imagined for a second issue. I tried a slightly different process this time, to find out if I could save some time in the comic page creation. Finished piece Usually after the pencil stage, the inking will be done, either over very detailed pencils or rougher pencils, depending on the artist’s confidence. But ink will not give you any variance in tone like pencils can give you. Thus, some artists only have a pencil stage and darken the pencils afterwards to make them more stand-out. Any thin or weaker lines will still be visible with a still lighter tone and might give it a bit of a rougher finish to it. This indeed can help to make the art appear less digital.  Main character pencils Pencils complete Pencils with shadow layer The picture in general has more of a children’s book feeling about it, especially through the lighter b...

People who are not familiar with the artistic process might perceive the creation of art I as some sort of magical act. That we artists just make some confident marks from our imagination and *bam* the masterpiece is done. And even for me, now that I have finished issue 1 of my comic, it seems unbelievably far away and odd when I laid down my first sketches. That notion might even be strengthened when watching artists like Kim Jung Gi who created huge masterworks in ink, straight from their mind onto paper. Of course they are not magicians, even if it seems so. They just trained long enough. They have drawn many subjects over and over again until they don’t need references or guiding lines any more. Rough pencils. Woolly sitting in the Dad room reading. Before getting to any pencil work on a comic page it is important to have a rough layout of each page. That way you can envision the panel flow and how your story turns out visually. Think of it as storyboarding a movie. You don’t need ...

I am quite delighted to say that all pages have been inked and coloured. I only need to do small corrections, letter in all the text and create a cover for this issue. I already figured out how to add speech bubbles conveniently in Clip Studio Paint. Amazing 🤩  The comic will be released on this blog, hopefully in late February, early March if my time management and ambition is not too far off. The Christmas period and summer are always times where you don’t get much done, so the finalisation of my sweet graphical adventure dragged on a bit. Life, eh? I even have great ideas for the 2nd issue and just need to bring them together into a sensibly long story. Stay tuned, Andi

I haven’t posted about my latest progress on working on my comic yet. The good news is: I finally settled on a title! Yeah! It will be called Woolly Wonderful . Woolly will also be the name of the main character, that is one that a child would give its toys, not too complicated and overloaded and quite obvious based on its appearance. Here is Woolly and one of the comic pages: Sample comic page. Copyright: Andreas Adam I have pencilled, inked and coloured 11 out of 16 pages. Although I am sure I have to tweak some of these pages a bit still. I also rearranged the layouts of the last 3 pages last summer and did more pencilling. I condensed the story and brought elements meant for issue 2 into the current issue, which created a more interesting ending and brings the story forward. Some of the last pages need still to be inked as well. Which leads me to think again about my workflow for the next issue. Using pencils and ink pens helped me to refine the final outlines, but is quite time in...

The big question when writing a comic is: how long should it be? How many pages in total? The truth is, I don’t know exactly. I don’t know how long the story will be and how many pages I need to draw. Based on the high expectations we all have about us and our creative stories I maybe don’t want to know. This said, I don’t want to fall into this trap creating an overblown project that I start eagerly with motivation, but lose interest along the way and nobody gets to see. So I am trying to follow the Minimal Viable Story approach here, kind of. I actually want to finish stuff. So I decided to divide the story in approachable chunks, more precise several issues that I produce and publish after another. This way I run the circle of writing the script, making layouts, pencilling, inking, colouring, filling in word boxes in smaller timelines and repeating it multiple times. Which means I even could learn from my past mistakes when preparing the next issue. Some of these thoughts came throu...

Hello dear reader, welcome to my blog. I am glad you found me among the enormous amount of other blogs around the world. I will keep this introduction short, I am not (yet) a professional illustrator, also I can't execute this profession at full-time. But that's not a big deal. Nevertheless I am eager to create amazing drawings and step up my game with the line and shading wizardry. Amongst the occasional animal, or more, dinosaur drawing, you will find progress on my comic creation documented. I haven't been into comics really big for a long time, but I recently found that comics offer a different experience and a whole new universe of stories and immersion opened up for me. For your curiosity what is this all about and until the next blog entry, enjoy this little drawing of my woolly puppet that I did as kind of a master study. Influenced by Sophie Campbell: So if you are interested in my process, follow this blog and keep being updated. Cheers, Andi